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Channel: Chuck Webster – Hyperallergic
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Can We Still Learn To Speak Martian?

Deborah Remington "Soot" series 2 (1963) (image courtesy of David Nolan) (click to enlarge)I.Let us start with two addresses just a few blocks from each other in San Francisco, and what was happening...

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Moving House: Chuck Webster at ZieherSmith

Chuck Webster, "Untitled" (2012) (all images courtesy ZieherSmith gallery)Chuck Webster is in his early 40s. He has been showing regularly in New York for nearly a decade. This is his sixth show at...

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Painting, Perception, and the Emphatically Handmade

Installation view, “Let’s Get Physical” at Ventana 244: Rick Briggs, “Communion” (2013); Maria Walker, “Calendar 1-65″ (2011) and “Spring” (2013); Chris Martin, “Untitled” (2013) (all photos by the...

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Points of Contact: Small Works, Giant Steps

Richard Tuttle, “Section I, Extension I” (2007), 280 lb. Fabriano watercolor paper, acrylic, graphite, hot glue, wood, hammered aluminum armature wire and screws, 7.5 x 3.5 x 3.75 in (all photos by the...

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The Pursuit of Art, 2014

Hans Haacke, “Gift Horse, Model for Fourth Plinth, Trafalgar Square, London” (2013). Bronze and electroluminescent film; sculpture: 18 1/8 x 16 x 6 1/4 inches; plinth: 13 x 8 1/2 x 18 in.; overall: 30...

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Chuck Webster’s Breakthrough

Chuck Webster, “City to Love” (2013- 2016), oil on panel, 100 x 80 inches (all images courtesy Betty Cuningham Gallery) I have been following Chuck Webster’s work since his first show at Zieher Smith...

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Why Something as Humble as Drawing Still Matters

Chuck Webster, “Tinkers” (2019), collage of drawings on handmade antique paper with ink and shellac ink, 25 x 22 1/2 inches (all images courtesy Planthouse) Lest we forget, the practice of drawing...

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